SungHong Min was born in 1972 in South Korea.
The varied and theatrical practice of SungHong Min is filled with uncanny absurdities in detailed installations that meditate on what is visible and what's hidden in the contemporary social landscape.
SungHong Min's sculptural vocabulary spreads out into a diverse range of intricate and often site-specific approaches. Gathering together items generally regarded as detritus to forge new connections and meanings between objects, the artist reflects on visibility and invisibility in photo collage, drawing, sculpture, and installation.